Cast
Jamie Lee Curtis
Laurie Strode
Donald Pleasence
Dr. Sam Loomis
Charles Cyphers
Sheriff Leigh Brackett
Jeffrey Kramer
Graham
Dr. Graham, the dentist who checks the burned body's teeth
Lance Guest
Jimmy Lloyd
credited as Jimmy
Pamela Susan Shoop
Karen Bailey
credited as Karen
Hunter von Leer
Deputy Gary Hunt
Dick Warlock
The Shape
also Patrolman #3; stunt coordinator
Leo Rossi
Budd Scarlotti
Gloria Gifford
Mrs. Alves
head nurse Virginia Alves
Tawny Moyer
Jill Franco
credited as Jill
Ana Alicia
Janet
nurse's aide Janet Marshall
Ford Rainey
Dr. Frederick Mixter
credited as Dr. Mixter
Cliff Emmich
Mr. Garrett
security guard Bernard Garrett
Nancy Stephens
Marion Chambers
John Zenda
U.S. Marshal
U.S. Marshal Terrence Gummell; the credits spell it Marshall
Catherine Bergstrom
Producer
TV reporter Debra Lane
Alan Haufrect
Announcer
radio announcer Robert Mundy
Lucille Benson
Mrs. Elrod
Howard Culver
Man in pajamas
Dana Carvey
Assistant
Barry McNichol, a TV news assistant; most of his scenes were cut
Billy Warlock
Craig
Craig Levant; son of Dick Warlock, and on the fire-stunt safety team
Jonathan Prince
Randy
Randy Lohnner
Leigh French
Gary's mother
Ty Mitchell
Young Gary
Nancy Kyes
Annie Brackett
credited as Nancy Loomis; cameo as Annie's body, and the voice of Alice's friend Sally on the phone
Pamela McMyler
Laurie's mother
Dennis Holahan
Laurie's father
Nichole Drucker
Young Laurie
Ken Smolka
First patrolman
Adam Gunn
Young Michael Myers
Roger Hampton
Patrolman #2
Robin Coleman
Medic
Jack Verbois
Bennett Tramer
Ben Tramer in dialogue
Nick Castle
The Shape
archive footage from Halloween (1978)
Tony Moran
Michael Myers, age 23
archive footage from Halloween (1978)
Kyle Richards
Lindsey Wallace
archive footage
Brian Andrews
Tommy Doyle
archive footage
Anne Bruner
Alice
Alice Martin
Lance Warlock
Boy carrying a radio
uncredited; son of Dick Warlock; scene shot by John Carpenter
Anne-Marie Martin
Darcy Essmont
uncredited, listed by TMDB
Helen Kelly
Nurse at the hospital
uncredited, listed by TMDB
Kim Gottlieb
Photographer at hospital
uncredited; the film's still photographer
Don Ramey Logan
Upset next-door neighbor
uncredited, listed by TMDB
Nancy Platt Jacoby
WWAR sound assistant
uncredited; also executive in charge of production
Crew
Rick Rosenthal
Director
John Carpenter
Writer
John Carpenter
Additional scenes (uncredited)
Debra Hill
Writer
John Carpenter
Producer
Debra Hill
Producer
Irwin Yablans
Executive producer
Joseph Wolf
Executive producer
Moustapha Akkad
Presenter
Barry Bernardi
Associate producer
Nancy Platt Jacoby
Executive in charge of production
Jeffrey Chernov
Production manager
William S. Beasley
First assistant director
Duncan S. Henderson
Second assistant director
Dean Cundey
Director of photography
Raymond Stella
Camera operator and Panaglide operator
Gary B. Kibbe
Additional camera operator
Douglas Ryan
Additional camera operator
Jiggs Garcia
Additional camera operator
Clyde E. Bryan
First assistant camera
Mark Walthour
Gaffer
Ronald T. Woodward
Key grip
Kim Gottlieb
Still photographer
J. Michael Riva
Production designer (credited as Michael Riva)
Richard M. Sternbach
Production illustrator
Peg Cummings
Set decorator
Daniel Lee Stoltenberg
Property master
Walton Hadfield
Construction coordinator
Mark Goldblatt
Editor
Skip Schoolnik
Editor
Michael D. Ornstein
Associate editor
Jane Ruhm
Costume supervisor
Frances Vega Aubrey
Costumer
Don Post
Masks
Michael Germain
Makeup artist
John F. Chambers
Makeup technician
Frankie Bergman
Hairstylist
Larry Cavanaugh
Special effects supervisor
Frank Munoz
Special effects
Sam Nicholson
Visual effects (listed by TMDB)
Jamie Shourt
Main title sequence (Shourt Works, Ltd.)
John Carpenter
Music
Alan Howarth
Music
Tommy Causey
Sound mixer
David Lewis Yewdall
Supervising sound editor
Bill Varney
Re-recording mixer
Gregg Landaker
Re-recording mixer
Steve Maslow
Re-recording mixer
Mary Gail Artz
Casting
Susie Johnson
Extras casting
Candy Anne Marcellino
Script supervisor
Ami Agmon
Location manager
Lynne Birdt
Production coordinator
Andy Bonin, M.D.
Technical advisor
Dick Warlock
Stunt coordinator
Hill Farnsworth
Stunts
Donna Garrett
Stunts
Jesse Wayne
Stunts
Glynn Rubin
Stunts
Pickwick Maslansky Koenigsberg
Publicity
Production
The sequel came out of a fight. In March 1980 the Hollywood Reporter said Irwin Yablans believed he had a verbal deal with Carpenter and Hill to make The Fog. They took it to Avco Embassy instead, saying they had not been paid their share of Halloween's profits. Yablans filed a $4 million lawsuit, but he still wanted them back for Halloween II. In May 1980 his company Compass International pre-sold the sequel at Cannes. Carpenter and Hill signed on to write and produce, and nearly the entire original crew came back. Dino De Laurentiis's company paid for the film.
An early idea set the sequel years later, with Michael tracking Laurie to a high-rise apartment building. Carpenter's script picks up the same night instead. Carpenter later said he wrote it over a lot of beer without much story left to tell. He said the twist that Laurie is Michael's sister came from not having much story left, and later called it silly and foolish. Yablans thought the script was pedestrian. Hill told Fangoria in 1981 that they looked into shooting in 3-D but dropped it as far too expensive and a poor fit for night scenes.
Carpenter did not want to direct the same film twice. Wallace was offered the job and turned it down. Hill had interest in directing but did not want to look like Carpenter's protege. The job went to Rick Rosenthal after Hill, Carpenter and Carpenter's agent David Gersh saw his 1979 AFI short The Toyer. It was a psycho-killer story based on a Gardner McKay piece, and it used dialogue and pacing instead of blood. It was Rosenthal's first feature.
Unlike the first film, this was a union shoot. Hill told Variety a non-union version might have cost under $1 million, and that $2.5 million was about the lowest possible union budget. Filming ran six weeks, from April 6 to May 18, 1981, around Los Angeles. Dean Cundey came back as director of photography. He turned down Poltergeist out of loyalty to Carpenter and Hill. During the same period, Carpenter and Hill spent three extra days shooting new scenes with Curtis and Pleasence for NBC's broadcast of the first film.
Jamie Lee Curtis had cut her hair short and wore a wig to match her 1978 look. Rosenthal filled several small parts with actors from his class at the Beverly Hills Playhouse. Nick Castle liked Lance Guest's work and later cast him as the lead in The Last Starfighter. Dick Warlock was hired as stunt coordinator. He had not seen the first film when he interviewed for the job and watched it afterward. Warlock based his Michael on the closet scene, where the Shape sits up behind Laurie, and on the head tilt.
Distribution changed late. Variety reported the film was set to go through Filmways, but trouble at that company moved it to Universal. Compass International, which had released the first film, had shut down by November 1981.
Carpenter saw the rough cut and felt it was not scary, comparing it to the TV show Quincy. He and editor Skip Schoolnik spent a weekend cutting about 14 minutes. Carpenter then shot extra material, adding gore to keep up with the slasher films that followed the original. He shot the boy with the radio to explain how Michael learns where Laurie is. Dick Warlock's son Lance says Carpenter also shot Alice's murder and the close-ups of Michael burning. Rosenthal complained that Carpenter had ruined the pacing of his film.
The official franchise archive notes that Jamie Lee Curtis wore a wig because she had cut her hair after the first film.
An early concept placed the sequel years later in a high-rise setting before the story became an immediate continuation.
A 3-D presentation was considered during development but abandoned.
Alan Howarth built the sequel's electronic score around John Carpenter's original themes.
Filming locations
- Morningside Hospital, Inglewood, California: Haddonfield Memorial Hospital, filmed in a closed wing
- Pasadena Community Hospital, Pasadena, California: Additional hospital scenes. Rosenthal recalled that planes from a nearby airport often stopped filming.
- Orange Grove Avenue, West Hollywood, California: The Wallace and Doyle houses from the first film. The official site says the street name heard in the dialogue is the real location.
- West Hollywood, California: Laurie's Haddonfield home and neighborhood
- Shopping plaza also used in Halloween III: The official site says a plaza seen in a Michael Myers scene here also appears in Halloween III
- Much of the sequel was photographed in a wing of Morningside Hospital in Inglewood, California, with additional hospital material at Pasadena Community Hospital, preserving the first film's Southern California Haddonfield geography while shifting the action indoors.
Effects and makeup
The kills are much bloodier than in the first film because Carpenter added gore after seeing the rough cut. Critics like Roger Ebert and Kevin Thomas singled out the violence. In Universal's production notes, Hill had said the first film showed next to no blood and that chopping off limbs was disgusting, not scary. Ebert wrote that the film had the first close-up he could remember of a needle going into an eyeball.
For the shot of blood running from Michael's eyes, Dick Warlock wore tubes inside the mask that ran up the back of his head and ended above his eyes. He held a rubber bulb full of blood mix and squeezed it on cue. They got it in one take.
The operating room explosion was a big practical fire effect. Warlock did the full-body burn twice because of technical problems, and his arms got burned. He has said a fire stunt depends on a good effects team and dependable safety people, including his son Billy. He timed putting on the fire suit carefully, because sweat inside turns to steam and burns the skin.
Karen's scalding death looks like boiling water on screen, but Pamela Susan Shoop said the water was cold and dirty, and she got an ear infection from the scene.
Michael Germain did the makeup, with John F. Chambers credited as makeup technician. Larry Cavanaugh supervised special effects, with Frank Munoz.
Ana Alicia hit her head during a rehearsal of Janet's death. Warlock apologized and said it is hard to protect the actors while staying in character under the mask. He also breathed rhythmically under the mask to match the breathing on the first film's soundtrack.
The climactic operating-room explosion was a large practical fire effect that required extensive preparation and was filmed twice after the first burn failed to give the director the result he wanted.
For the blood-running-from-the-eyes gag, Dick Warlock wore tubing hidden inside the mask that ended above his eyes; he triggered the blood with a hand-held rubber bulb on cue.
Props and costumes
Warlock wore the same modified Captain Kirk mask Nick Castle wore in the first film. Debra Hill confirmed it.
The official site says Warlock is the shortest actor to play Michael and wore lifts in his shoes.
Curtis wore a wig to match Laurie's 1978 hair.
Don Post is credited for the masks.
Michael writes Samhain in blood on the elementary school chalkboard.
The original theatrical poster shows a jack-o'-lantern shaped into a skull, with the tagline More of the Night He Came Home. A Feref archive transparency of the UK campaign art by Frank Hillary, with a one-of-one proof print, sold through Propstore.
Michael's hero mask was the same modified Captain Kirk mask used in the 1978 film, now fitting Dick Warlock's shorter, stockier head differently; the production therefore preserves a direct physical prop link to the original rather than a recreated mask.
Jamie Lee Curtis wore a wig to restore Laurie's 1978 hairstyle after cutting her hair between films.
Production artifacts
1981 · screen-used set/prop artifact
- Association
- Mrs. Elrod house sequence
- Provenance
- Documented in Sean Clark collection by official HalloweenMovies coverage
1981 · production / campaign artifact
- Description
- Original transparency with Frank Hillary artwork combination plus Feref proof print.
Scripts and documents
Screenplay
- Draft
- First Draft
- Writers
- John Carpenter; Debra Hill
- Availability
- Indexed by 45 Lampkin Lane.
Screenplay
- Draft date
- 1981-03-12
- Draft
- Shooting Draft
- Writers
- John Carpenter; Debra Hill
- Availability
- Indexed by 45 Lampkin Lane; the 2021 Scream Factory DVD also includes the film script as DVD-ROM material.