Rotten Tomatoes
10%

I Know What You Did Last Summer
1998

Someone is dying for a second chance.
A year after Ben Willis killed Helen and Barry in Southport, Julie James is taking summer classes in Boston and still having nightmares about that night. Her roommate Karla Wilson answers a call from a local radio station and wins a trip for four to Tower Bay in the Bahamas. Julie invites Ray Bronson, who is still working on the docks back home. He says no at first, then changes his mind and drives toward Boston with his coworker Dave to surprise her. On the road they stop for what looks like a body. It is a mannequin. Ben Willis steps out and kills Dave with his hook, then chases Ray in a truck. Ray gets away by tumbling down a hillside and ends up in the hospital.
The next morning Julie, Karla, Karla's boyfriend Tyrell Martin and their friend Will Benson leave for the trip and check into the hotel at Tower Bay. Ray sneaks out of the hospital, pawns the engagement ring he had bought for Julie and trades it for a revolver. That night at the hotel bar Julie sings karaoke and the words on the screen change to "I still know what you did last summer." She runs to her room. Will tells her he likes her.
Willis kills Darick the dockhand, then slashes the housekeeper Olga and drags her into a room. While the others sit in the hot tub, Julie finds Darick's body in her closet. By the time she brings the others, it is gone. The manager, Mr. Brooks, does not believe her, and tells them nobody can leave because of the storm. Titus Telesco, the stoner pool boy, is murdered by the pool. Ray, who has survived his injuries, sets out to rescue Julie.
The next day the group finds Julie trapped in a tanning bed Willis has locked and pulls her out. They find Olga, Titus and Mr. Brooks dead, the two-way radio smashed and the boats gone from the dock. Julie finally tells them what she and her friends did two summers ago. In the room of Estes, the bellhop, they find voodoo charms. Estes says he was trying to protect them. He realized their answer to the radio contest question was wrong, which means someone rigged the prize to get Julie to the island. He tells them the story of Ben Willis, whose wife Sarah was found murdered, supposedly killed by Willis after he caught her cheating.
Estes disappears and Will goes looking for him while Ray reaches the island by boat. Back at the hotel Julie, Karla and Tyrell find the bartender Nancy hiding in the kitchen. Willis kills Tyrell there. The women hide in the attic, where Willis attacks Karla, and then flee to the storm cellar, which is full of his victims. Will bursts in and brings them back to the hotel, bleeding from the stomach and saying Estes attacked him. Nancy and Karla go for a first aid kit and find Estes impaled with a harpoon. Willis kills Nancy and goes after Karla. Alone with Julie, Will admits the blood is not his. He was the voice on the radio, and he killed Estes.
Will drags Julie to the island graveyard and tells her he is Ben Willis's son. Willis attacks Julie. Ray arrives and fights Will. Willis swings at Ray and stabs his own son by mistake. While Willis is grieving and turning back to kill Ray, Julie shoots him dead. Karla turns up alive at the hotel and the coast guard rescues the survivors.
Some time later Julie and Ray are married and living in a new house. While Ray brushes his teeth, Julie sits on the bed, glances in the mirror and sees Willis under the bed. She screams as he drags her under. The 2025 sequel later treats this scene as one of Julie's nightmares.
Columbia released the film November 13, 1998. It opened in 2,443 theaters with $16,520,038 and finished second behind The Waterboy. It peaked at 2,473 theaters and after a 15 week run had about $40 million in the United States. Variety later put the worldwide total at $84 million. It opened in Mexico on February 26, 1999 and Germany on April 29, 1999.
Critics were much harder on it than on the first film. Rotten Tomatoes has it at 10 percent from 61 reviews with an average of 3.5 out of 10, and its consensus calls it the kind of rehash that gives horror sequels a bad name. Metacritic gives it 21 from 19 critics. CinemaScore audiences gave it a B, a notch higher than the original's B minus.
A few critics liked it. Leonard Klady in Variety said it had enough shocks to satisfy its young audience. Dave Rickett at CNN thought it was better than the original and kept you on the edge of your seat. Dan Tobin in The Boston Phoenix also rated it above the first film, though mostly because he disliked the first one. E! gave it a B+ and said Cannon had made a sequel a cut or two above the original. Leonard Maltin, reviewing the first film, called it a classic compared to this one.
Jim Gillespie said in 2017 that he did not like the premise, felt it was not the right story and thought it hurt the franchise.
Reviewing the 2023 4K for Blu-ray.com, Martin Liebman called the film one of the very worst teen slashers to get a theatrical run, but said the new transfer was a massive improvement over the 2009 Blu-ray.
The reviews were savage and near unanimous. The Rotten Tomatoes consensus calls it "exactly the kind of rehash that gives horror sequels a bad name," and going from 47 percent to 10 percent is one of the steeper drops between a horror film and its own sequel. The common complaint was that it reran the first film in a more expensive location with no new ideas. There were dissenters. Leonard Klady in Variety allowed that it delivers enough shocks for its audience, Dave Rickett at CNN went further and called it the better film, and Justin Kerswell at Hysteria Lives gave it three and a half out of five as an unapologetic guilty pleasure. It opened at roughly the same level as the first film and then fell off a cliff, finishing at $40 million against the original’s $72.6 million, on a bigger budget. Its legacy is as camp rather than as horror. Jack Black, the karaoke, the hurricane and the sheer implausibility of the twist have all become affectionate touchstones, and it has aged into a genuine cult favorite in a way nobody reviewing it in 1998 would have predicted.
10%
21
B
Julie James
Ray Bronson
Karla Wilson
credited as Brandy
Tyrell Martin
credited as Tyrell
Ben Willis / the Fisherman
Estes
Will Benson
Mr. Brooks
Nancy
Dave
Olga
credited as Ellerine!
Darick the Dockhand
Paulsen
Thurston
Doctor
Nurse
credited as Dee Ann Helsel
Todd
Pawn Shop Owner
credited as Mark Boone Jr.
Professor
Old Woman
Titus Telesco
uncredited
Cocktail Waitress
uncredited
Cocktail Guest
uncredited
Classmate
uncredited
Club Goer
uncredited
Basketball Player
uncredited
Director
Writer
Characters
Script Revisions (uncredited)
Producer
Producer
Producer
Producer, Unit Production Manager
Line Producer, Mexico unit
Director of Photography
Editor
Composer
Production Designer
Art Director
Art Director
Set Decorator
Costume Designer
Costume Supervisor
Casting
Prosthetic Makeup Artist
Prosthetic Makeup Artist
Key Makeup Artist
Key Hair Stylist
Special Effects Coordinator, Mexico
Special Effects Supervisor
Visual Effects Supervisor
Matte Painter and Compositor (uncredited)
Stunt Coordinator
Title Designer
First Assistant Director
Script Supervisor
A Camera Operator
B Camera and Steadicam Operator
Chief Lighting Technician
Key Grip
Property Master
Location Manager
Location Scout, Mexico (uncredited)
Construction Coordinator, Mexico
Music Supervisor
Music Supervisor
Orchestrator (uncredited)
Sound Mixer
Supervising Sound Editor
Still Photographer
Production Supervisor, Mexico
Unit Publicist (uncredited)
Re-Recording Mixer
Visual Effects Coordinator
Writer
In 1997 director Mike Mendez pitched a sequel set at college that would have brought back Hewitt and Prinze Jr. It went nowhere. Jim Gillespie did not return. In February 1998 Variety reported that British director Danny Cannon, who had made Judge Dredd, would direct.
Trey Callaway had sold Mandalay and Columbia a science fiction pitch in 1996, which later became his UPN series Mercy Point. After he turned in his last draft of that, they asked if he had a take on the sequel. He told Bloody Flicks in 2018 that the studio gave him four rules: center it on Hewitt's Julie James, give her new friends while probably keeping Ray around, have one of the new characters carry the torch for Ben Willis, and call it I Still Know What You Did Last Summer. About six months passed between the studio buying his pitch and the start of production.
Without telling Callaway, Mandalay also hired Stephen Gaghan to write a separate version, reportedly set in New Orleans. Callaway's script was picked, but Gaghan was listed as co-writer in early trailers. IMDb credits Gaghan with uncredited script revisions. In 2001 Gaghan won the Academy Award for writing Traffic.
Callaway's favorite scene, the tanning bed, came from a summer job he had in high school in Tulsa, Oklahoma, in the early 1980s, painting the logo for a tanning salon, where he found out how closed in it feels to shut the lid of a tanning bed. He never visited the set, because Mercy Point was picked up by UPN at the same time.
Variety reported on March 19, 1998 that Matthew Settle had been cast along with Brandy, Hewitt and Prinze Jr. Jennifer Esposito joined in April 1998.
IMDb lists filming from April 27 to July 3, 1998. The Bahamas scenes were shot at El Tecuan Marina Resort on the Costa Careyes coast of Jalisco, Mexico, with more work in Los Angeles, Pasadena and at Sony Pictures Studios in Culver City. The AFI Catalog lists the United States, Mexico and Germany as countries of origin.
In 2025 Brandy called the shoot very taxing, pointing to the heat, the outdoor locations and the bugs. She said a big reason she took the part was the chance to curse in a movie. She also said she had it written into her contract that Karla would survive, because, in her words, Black people don't last in horror films.
Development: Columbia moved on a sequel the moment the first film made money, and everything about this production was shaped by speed. Trey Callaway told interviewers in 2018 that filming began roughly six months after Mandalay accepted his pitch, which is an extraordinarily short runway for a studio sequel. His brief was to build it around Julie James and keep the title.
Development: Mandalay hedged by commissioning a second screenplay at the same time, from Stephen Gaghan, reportedly set in New Orleans. Callaway’s island version won, but Gaghan’s name had already gone out and he was credited as co-writer in early promotional material and in theatrical trailers for a script that was never used. Only Callaway is in the final credits. Two years later Gaghan won the Academy Award for Traffic.
Development: Before Danny Cannon was hired, the franchise wiki reports that Peter Jackson was approached to direct. Jim Gillespie did not return. Mike Mendez pitched a college set sequel in 1997 with Hewitt and Prinze Jr. that went nowhere. Cannon, then best known for Judge Dredd, was announced in February 1998.
The Bahamas are Mexico, and the shoot was miserable: The Tower Bay Hotel is not in the Bahamas. It is El Tecuan resort and marina on the Costalegre coast of Jalisco, Mexico, with more material at El Tamarindo in Costa Careyes. Interiors were finished at Sony Pictures Studios in Culver City.
The Bahamas are Mexico, and the shoot was miserable: Brandy has talked about the location repeatedly and without much fondness. She has called the experience "very taxing," described being outside "in a space where it was just bugs and this and that," and said she thought at the time, "We could’ve filmed this somewhere else." She was new to film acting, most of the work was exterior, and a great deal of it was in rain.
Casting: This was Brandy Norwood’s first feature. She has said she negotiated a contractual guarantee that Karla would live, on the grounds that Black characters were routinely killed off first in horror films. She was right to, and Karla is still alive twenty seven years later.
A score with nothing of the first film in it: John Frizzell’s score deliberately shares nothing with John Debney’s. Frizzell said in 1998 that it carried none of the original themes because the sequel had a different look, setting and feeling. He built it out of avant garde vocal work by Joan La Barbara and unusual acoustic instruments including a psaltery and a detuned dulcimer.
A score with nothing of the first film in it: The soundtrack album came out November 17, 1998 on Warner Bros. Jennifer Love Hewitt’s "How Do I Deal" was released as a single on January 19, 1999 and became her first Billboard Hot 100 entry. Two songs in the film never made the album: "Eden" by Hooverphonic and "That Girl" by Esthero.
What the first film’s director thought of it: Jim Gillespie, asked about the sequel in 2017: "I thought it wasn’t the right story. They had a chance to do something a bit different and for me it didn’t work."
Matthew W. Mungle returned from the first film as a prosthetic makeup artist, working with Clinton Wayne. Bonita DeHaven was again key makeup artist.
Laurencio Cordero coordinated special effects on the Mexico shoot and John D. Milinac, who had worked on the first film, was special effects supervisor. Alison Savitch supervised the visual effects, and Roger Kupelian did uncredited matte painting and compositing.
Freddie Hice came back as stunt coordinator. Stunt performers included Henry Kingi Jr., Jophery C. Brown and Pat Romano. Nina Saxon designed the titles.
Daniel J. Lester designed the costumes. Ben Willis wears the same black oilskin slicker and carries the hook from the first film.
The tanning bed Julie is locked in, the karaoke screen that spells out the film's title, the voodoo items in Estes's room, the smashed two-way radio and the harpoon are the set pieces that drive the middle of the film.
Ray pawns the engagement ring he meant to give Julie in exchange for a revolver.
Jack Black plays Titus in long dreadlocks.
John Frizzell wrote the score, with uncredited orchestration by Frank Bennett. He said in 1998 that it uses none of the first film's themes because the sequel had a different look, setting and feeling. He used avant-garde vocals by Joan La Barbara, layered and processed, along with a psaltery and a detuned dulcimer for a very quiet, creepy sound.
I Still Know What You Did Last Summer: Music from the Motion Picture came out November 17, 1998 on Warner Bros. Records and runs 51:14: "Sugar Is Sweeter (Danny Saber Remix)" by CJ Bolland featuring Justin Warfield; "How Do I Deal" by Jennifer Love Hewitt; "Relax" by Deetah; "Hey Now Now" by Swirl 360; "Blue Monday" by Orgy; "Polite" by Bijou Phillips; "Try to Say Goodbye" by Jory Eve; "Testimony" by Grant Lee Buffalo; "(Do You) Wanna Ride" by Reel Tight; "Getting Scared" by Imogen Heap; "Gorecki" by Lamb; "Julie's Theme" by John Frizzell.
"How Do I Deal," produced by Bruce Fairbairn and David Foster, was released as a single on January 19, 1999, backed with Jory Eve's "Try to Say Goodbye." A music video went to music channels and is on the Blu-ray.
Two songs in the film are not on the album: "Eden" by Hooverphonic, heard when Julie looks at Helen's picture by her bed, and "That Girl" by Esthero, heard as the group arrives in the Bahamas.
John Houlihan and Sharon Boyle were music supervisors.
1999
April 6, 1999
July 14, 2009
December 2020
September 26, 2023
Various
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Rotten Tomatoes Classic Trailers
The theatrical trailer in high definition.
ItWasYourTest
The trailer in its original aspect ratio.
Horror Addict
A cleaner high definition copy of the same trailer.
TrailerHome
An alternate cut of the trailer.
El Rey Network
The vacation giveaway television spot.
Cleverkio
Recorded off air in 1998, during Party of Five, which is where Hewitt was every week.
aTunes
The single from the soundtrack, remastered.
Joe Simonetta
The official promo video.
TheChuckyluver1993
Red carpet footage from the November 1998 premiere.
Creature Features
SPOILERS
The single most quoted thing in the film.
Movieclips
SPOILERS
The licensed clip of the dock kill.
Movieclips
SPOILERS
The licensed clip of the chase.
JoBlo Movie Clips
SPOILERS
The major scenes collected together.
Dead Meat
SPOILERS
Every death in the sequel.















































